This will be a quick post. It’s an early spring with the rain greening up the grass. I found an old photo I took in Weimar that’s perfect to modify and fit this theme.
I believe this is ready to scale up! I’m thinking it might be a good one for oils, but now that I’ve found glazing medium for acrylics, I’m leaning towards that. It’s blends perfectly. I’ll post up the big one soon.
It’s been a rainy season in Texas and the wildflowers are popping up everywhere along the roads. After doing several studies like this, I figured I’d turn into a series, this being the third. These lilies (I’m guessing that’s what they are), stood about 1-2 feet tall and are the flowers spread out about 3-4″; enough to catch your eye driving by at 40mph. It actually looks cultivated, but I’ve seen them in several random places near water, so I’m guessing they’re ” wild”. Either way, they were a fun little study for the oil paints. I couldn’t decide what to do about the background while out there, so I just packed up my gear and headed back for lunch. I tried extending the busy foreground behind the flowers, hoping the simple white colors would stand out. Not sure it worked or not, but this is when it’s good to just put it away and take it out later to see it with fresh eyes.
Well, the suns about to set and I want to catch the “golden hour” for a study of the huge oaks here!
This painting has been in the back of my mind for a long time. I took a reference picture when I first started to plein air paint (2011?) and finally felt as if I could do justice to what I saw. Grace Ranch, a ranch now owned by my uncle, has been in the family for two generations now. There is a huge Live Oak on the low area of the property where a creek runs and longhorns that graze there. The oak’s massive limbs seem to snake their way randomly away from the trunk in what seems to defy gravity. This year was a good year for rains just before Spring and set the stage for a full beds of bluebonnets. I wanted to capture the rugged, fresh feel of Grace Ranch in the Spring with the combination of the oak, the longhorns and the bluebonnets, making the center of interest the longhorns.
Here’s the reference picture:
In my first attempt, I had a really hard time setting the mood for the scene and remembered an article I’d just read describing how the artist does an accurate gray-scale charcoal drawing before starting the painting (and the painting was amazing). So I used mix of black and white acrylics and attempted this as an under-painting. I found that rather than thinking about color, I was focused on getting the design right, making sure the main objects stood out, adding objects and altering others to “tell the story” correctly. It was like having a value map, with full detail, taking the pressure of making too many decisions when trying to find the right colors later.
Here’s the grey-scale under-painting (I painted over the previous attempt):
It worked perfectly. Staying within the light/dark values on the map, I set in the colors and could see if they were off right away if the color was too light/dark. It even kept me in line of staying away from too much detail where it isn’t needed. In the end, it has the rugged feel with big oaks, dead limbs on the ground, yet a freshness of spring colors in the trees and on the ground. All the while, the center of interest in pointed toward the longhorns grazing in, what must be to them, a piece of heaving itself. (in the scene, they haven’t been butchered… just wanted to clarify).
I used Titanium White and Mars Black for the grey scale, then switched to Cobalt blue, Alizarin Crimson, Yellow Ochre, Titanium White, and Bunt Umber. I did use Mars Black sparingly in color mixtures too, but not much. In the planning, notice the line of bushes point toward the longhorn, as does the line of bluebonnets on the right, and dead limb on the left. The longhorns are the showcase, and the oak and bluebonnets support them.