Well, I was tired of waiting for a sunny day and decided it was a good challenge to paint a gray, overcast scene. What it lacked in color, it gained in atmosphere and subtle colors. Unfortunately, my days of painting along the roadside around here are now done. Two ladies pulled up alongside me and said they were the owners of the property. The ranchers along the road are extra cautious and pulling out their guns because they’ve had a lot of vandalism and people tailing the women as they drive home at night. Hard to believe this happens in little Weimar, TX. Sad. I told them my family ties to Weimar and about what I do with on-location sketches as an artist. They understood, but warned me that it may not be safe for me to do that right now and then called off the police. Last comment the lady made was that she had to get inside because she’s making sausage and it’ll burn. Ha. This is definitely Weimar. Glad she was relieved to know I was one of the good guys.
As for the technical artist chat side of the experience, it was fun to use an “earth colors” palette as a part of my Schoolism course. Rather than pure color, I used red oxide, yellow ochre, ultramarine blue and titanium white. The point of it is to force me to use the color complements , like red vs. green or purple vs. yellow, to make them stand out next to each other. I made the background trees slightly more purple than they were to make the foreground greens and yellows of the grass stand out. Those greens and yellows appeared almost a flat gray on my brush, but looked right next under the background. Also, the differences in value (light/dark) are that much more important because I don’t have striking colors to stand out as a design element. Tough lesson, but I learned a lot from it!