This scene is from the summer days when I’d pass by a field of cows in Columbus, TX on my way home. It started with that initial glance of the lazy cows trying to find shade under a sparsely branched cedar. I shot a quick photo as I passed by. Months later, I was flying to Marblehead to visit my brother and his family and flipped through the photos on my phone looking to sketch on the flight. Seeing this photo, I was able to zoom in cropping the rest of it, focusing in on the heart of what I saw in that glance. Months later, I was flipping through my sketch book and thought I’d post it to my Instagram account (@teveman) and after watching a DVD of John Poon teaching his method, figured I’d give it a go. I did the small value sketch last night to both work out the composition more and find some good brush strokes. This morning, I woke up and it went quickly! I thought it’d be fun to mix up my palette a bit and colors I don’t normally use that leaned towards the warm size. As I went, I saw the need to make the cows tan, rather than white to really stand out against the green surrounding and remembered the cows I’d seen around my home. I took a risk, but it seemed to work out well. I thought the cows might need more detail, but then stopped. It’s usually better to have bold, defining strokes than a bunch of strokes searching for a way to say what one careful stroke can do. Fun study! The enjoyment really is in the process of the painting.
I highly recommend John Poon’s Landscapes DVD. He has great organizational skills and presents how to use a busy scene, clarify the focus and work through a four step process. He also works in acrylics, but it’s equally good for oils as well.