Tyler, an East Texas city about 2 hours west of Dallas, is brilliant in spring. It has deep, rich, red sandy soil with grass that’s always green and trees that reach 50 to 70 feet all over the city. Rose Redmond park is it’s central park with paved paths for joggers, bikers, and tons of dog walkers. It’s always in use. The paths cut through a forest with trees so high, the path is almost always in shade. As I was jogging, I’d come to sections where I’m in the shade and a bright sunlit portion would be ahead. I could feel the warmth just from looking at it. At a few points I simply stopped and spent a minute to mentally try and paint the scene in my mind. I constantly say to myself, “If this was created by God, what brush did he have and what kind of strokes did he use?”. I’ve noticed lately from the Nathan Fowkes class in Schoolism, he says “What is the simple statement? What are the main colors and how do they compare: lighter, darker, warmer, cooler?”. When I begin this conversation (not out loud), all the color combinations pop out and a game plan forms as if I was setting up the easel for the hundredth time. The simple statement of this scene was about the bright warm glow of the sunlit tress and it’s connection to the people walking through it. That’s it. It’s not about the individual trees, not the grass or even the path, just the light and the people. As long as the proportions are mostly correct, the abstract patterns make sense. This is definitely the impression (feel) of the memory I had, which is just as real as the scene itself. Fun!