Plein Air: Quick study of a sunlit alley (Weimar, TX)

In Weimar, there are still un-paved alleys between houses. The light and shadows cast across them in the last hour of the day is perfect for a quick study. In the class I’m taking in Schoolism, Nathan Fowkes spends the first two lectures drilling in the concept of seeing the scene in a simplified way and capture that first. In this scene, it’s about the light cast across the alley and onto the bush in the middle ground. After laying in a rough sketch, I pulled out the big brush and did full, dramatic sweeps of shadow colors across the paper where for the shadows were and then one single big blob of dark, cool green and brushed upward to be a “bush”. Next, laying in the sunlit streaks over the shadows, the basic drama of the scene was set in the first five minutes. The rest was just detail added onto the foundation. I thought about finishing a background, but it’s just a sketch and the concept I needed was there. 

It’s such a relief to be inspired by a scene, such as this dipslay of light and be able to start out getting the “feel” of the scene as the backbone, then overlay the detail. I guess an analogy would be getting a burst of energy while jogging and jump into a sprint just to feel like flying, rather than think of which foot to start with and how long my stride should be (the details). The details are important. Nobody should start a sprint with both feet forward at the same time or even think about it. That’s nuts.  So, when painting, let the first foot be impression, then the next, representation, then just fly as the two come to a balance.

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Studio Work: Last Light

Acrylic, 20×24″, stretched canvas
This has been a long relationship sort of painting, working on it off and on over the past month. It started out with a few brush marks, noting colors in a sketchpad on the side of the road as the shadows rose to the top of the trees. I think they are either cottonwoods or elms, but the yellows and bronze colors of the leaves hit by the deep orange-pink light of the sun seemed to set them on fire. Just behind the trees the sky was bright with a slight green tint that made the reds, oranges and yellows of the trees pop out even more. In contrast, the area in the shadows seemed to loose all color with slight shades of green gray that brightened towards a blue-gray as it went back in the distance. Although there’s no road, it was needed to lead th eye towards the trees. Giving the soil a muted red gave just enough variety to the grasses without making it shout out for attention. I also remember the other mental notes I took there on the side of the road was the high contrast in the sunlight off the tree trunks that seemed to soften along the edges as they dippped into the shadow. Everything emphasized the explosion of color on the ridgline between shadow and light. 

There might be a few small changes as I set it aside for a while in order to look at it again later with fresh eyes.