The Experience: It was about 4 degrees last night, but warmed up to at least 20 by 9am, so Jamie (local artist friend) and I went to a PAAC (Plein Air Artist of Colorado) event in Castle Rock, CO. The plan was to find scene along the East Plum Creek that runs through town and honestly, at first, I didn’t see much. There was a bunch of leafless trees with what looked like a frozen over creek. But when we walked around a bit, all the shadows in the snow and the dark contrast of the creek running thought it made for really neat designs. I guess the mind needs to shift into a different way of seeing opportunities in unfamiliar areas, and then suddenly there too much to choose from. I settled on a scene where a shadow was cast over the shallow creek with snow covered boulders alongside. Great combination and simple enough to really dig into the details of the scene and capture those deep yellows under the water. Anytime you see a deep yellow and light blue (snow) in a scene, it’s going to have a “vibration” that appeals to the eye.
After we finished, it was time for some grub, so we ate at the Taco (something) restaurant. Mmm. If you ever stop there, get the taco salad with Fajita meat. Awesome. Thanks for the taco salad, Jamie!!
Artist Chat: In snow scenes, I’m learning its a really good idea to first mix a light gray-blue and mat it over all the snow to ensure you have enough room to hit highlights at the end. Also, to gauge how “light” to mix the snow color, find the darkest dark and figure out how many steps in value it is between the snow and that area. The rest is just finding the shadows much as you would if you were painting a blanket. It ripples much the same way. To mix up a good snow grey, try using ivory black and ultramarine blue with titanium white. Mixing this combination in different amount allows for most of the shifts I see. When another color, like a green tree, is near, there will be hints on that in there too. Hope it helps!