Location: This scene is from Palmer Park, located in the center of Colorado Springs. If you’re familiar with this area, this is by the Templeton Trail entrance on the main path winding around the park towards Austin Bluffs St..
My Goal for this Painting: I wanted to emphasize the sense of a cold, crisp snow scene with the warmth of sunlight on the little tree. I also love the contrast of light and dark snow provides and wanted to used the grass and sunlit snow to invite you into the scene.
The Experience: I’ve been drooling over snow scene paintings of Clyve Aspevig, Micheal Godfrey and a recent one from Kathleen Dunphy and had thoroughly reviewed the “how to paint plein air in the snow” articles from other artists. I was more than ready. There was a snow storm last week and just enough snow left in the shaded areas to improvise a snow scene, so it was time to test the new winter gear. I was toasty in three layers of pants, five layers up top with a tshirt, thermal underwear, a wool shirt, puffy down coat and a shell jacket. My feet were comforted with liner socks, expedition mountaineering Smartwool socks in thick wool lined “pack boots”. To finish off, I donned a windproof fleece beanie. Like I said, I was more than ready. I also got to test out my new field easel similar to the one Joshua Been designed. Many thanks, Joshua! It works great!
After walking down a trail, feeling the snow crunch under well cushioned feet, I found this scene (but the little tree was lit up at the time):
Although the actual scene wasn’t so dramatic, it provided enough information to express the “feel” of the scene in my sketch. I could see it in my mind and knew I had minutes before the sunlight left and much of that information was gone. In no time, I set up my new easel, hung my bag and scattered my painting gear randomly in the snow next to the main trail. Within ten minutes I had a sketch and background filled in, ready to figure out how to paint snow and focus on the tree.
The sunlight left and it was instantly cold. I put on my extra poofy down jacket and shell looking about twice my normal size. Of course this is when a group of trail runners passed by in shorts and one without a shirt. Feeling less than manly, I said, “Well, at least I’m warm” to boost my ego and get back to the scene. Over the next hour and a half, I patiently added the tree and snow with deliberate brushstrokes backing up from the easel, mixing paint and then adding the stroke. It’s a very refreshing way to paint, rather than dabbing colors anxiously, unsure if it’s the right thing to do. After two hours, I felt the slightest hint of cold in my feet buried in the snow and my water dish for cleaning brushed was icing over. With a mark of approval to the new boots, I packed up and left smiling.
Many people think it’s crazy or extreme to paint in these conditions, choosing to be comfy with the heater on in their studio, but there is simply nothing like painting while experiencing the scene. Every sense felt and seen somehow influences the painting and this little sketch was a product of joy. I liked it so much, I went home and scaled it up onto a 16×20 canvas before heading to bed.
Another great day!!